Written by Robert Scucci | Published
Watching psychological horror films is always something I do wrong because the conventions of the genre often limit the storytelling in painfully obvious ways. After watching hundreds of great movies featuring an unscrupulous character with a troubled past that leads to today’s questionable behavior, I keep coming back, time and time again, for movies like The Girl Who Gone. Although this film starts to question what is real versus what its lead thinks, it becomes clear that sometimes you need to take things the same way despite the makeup that would make you think otherwise.
That means, The Girl Who Gone it establishes its premise and makes you question its chain of events, but only before bringing everything back full circle with a third-act payoff that doesn’t feel like a total copout.
The Girl Who Gone
The Girl Who Gone lays all its cards on the table in order, established in 1998, when a man and his boy drive on a dark country road. Seeing a woman covered in blood and slashing with a knife, the father stops to see how he can help, prompting his son to lock the door. When the little girl knocks on the car window, the boy takes it in, discovering that it is a missing girl named Christina Bowden (portrayed by Victoria Semenenko in this series) who escaped from the captivity of the killer Elizabeth Caulfield’s (Kaye Tuckerman).
In this day, Christina (Lexi Johnson) has grown up and works as an elementary school teacher. Realizing that she would have no chance of fighting her way to adulthood without someone to take her in after her escape, Christina takes in Lisa Spencer (Willow McCarthy), a troubled teenager who reminds her of herself in an attempt to make peace with her. a violent past. Although Christina lives as normal a life as she can, her world is rocked when officer Jamie Nwosou (Chukwudi Iwuji) follows her to inform her that Elizabeth Caulfield has escaped from prison, and he seems determined to finish what he started. many years ago.
Safe House and Body Count
A girl with a forgotten name hides under Jamie’s watch, but wants to remain visible so that no one worries about her life. Constantly looking over her shoulder, Christina is rightly confused as the past comes back to haunt her, but without experiencing dark episodes where she wakes up with blood and dirt on her hands, which makes her question her innocence more than once. Although there was never any doubt in my mind about Christina’s innocence, it is hard to ignore the fact that death seems to follow her wherever she goes, as if she is hiding a deep, dark, buried secret that she doesn’t want to be. dug up.
A Surprising Turn of Events
The aforementioned summary of The Girl Who Gone it sounds like the rest of its run will lead to something more foreshadowed like Christina being the killer all along and blaming Elizabeth for the crimes she committed as a child. Without spoiling the plot for you, I can assure you that you will find a twist ending that falls outside of what you would expect from your typical psychological horror film.
Is Christina troubled to the point of being an unreliable witness in several cases? Definitely.
But was he deliberately withholding incriminating evidence until he was properly identified as the primary person of interest in the latest murders surrounding him?
That’s when things become dicey in the story.
I found myself changing my mind about a dozen times while watching The Girl Who Gone because it is different from its contemporaries in the sense that we don’t just see the events play out from Christina’s questionable point of view; there is a level of rationality that comes from the vague but telling supporting characters as the mystery is pieced together, and the authorities try to track down Elizabeth Caulfield.
It twists and turns a lot
Are we dealing with a psychotic serial killer who used his youth and innocence to shut down his vengeful captor? Or are we dealing with a deeply traumatized and troubled woman whose memory of the past is disrupted when she feels her life is in danger after repressing her childhood for years?
If you want these questions answered, you can broadcast The Girl Who Gone free on Tubi.
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